Rationale
The selected artwork we chose to translate into video was Andy Warhol’s Campbell’s Soup Cans. Warhol was an American Pop Artist who appropriated images from consumer culture and made it art. We thought it would be interesting to take one of his iconic paintings and do the same thing he did – translate it into a different medium for a new perspective on everyday objects.

Picture above entitled: Campbell’s Soup Cans by Andy Warhol
Image and info source: https://www.moma.org/learn/moma_learning/andy-warhol-campbells-soup-cans-1962/
We intentionally wanted to replicate the background of the white canvas, therefore we used a large blank piece of paper and cut out arm holes. Furthermore we wanted to play with the 3D object of the can, and capture what shadows it casts and the form it takes when placed against a solid white backdrop. The hands and the can interact and perform a task while the camera moves to show different angles of the can. The expectation established at the start of the video is to open the can and the resolution is that the can gets opened and the contents gets poured out. We wanted the audience to feel slightly shocked and uncomfortable, by the random hands not attached to a body as well as the act of pouring soup all over the table.
Visual Script

Individual Reflection
Our intention was to take the ordinary yet iconic tomato soup can and change the audiences expectations of what a normal interaction with a normal object could be. The ending was meant to be a surprise or a plot twist. It was difficult to keep the background a solid white colour as to not distract from the can itself, while still maintaining movement with the camera. The decision to cut holes in the paper was a good idea yet failed in practice as the holes were slightly too large. Also as we were limited to just a can of soup, we wanted to add a can opener. However we did not open the can during the video as it took much too long. In the end I feel as though the video gave off the impression we wanted while still having roots in Warhol’s iconic painting of the can of soup itself.